Boundless Russia
in a wide-angle lens

The works of the winners and participants of
the multimedia project «I Live in Russia» will be presented at the Hermitage as part of the XV Anniversary International Media-Forum for young journalists named «Dialogue of Cultures».
In the context of of the XV Anniversary International Media-Forum of young journalists «Dialogue of Cultures», which will be held in the Hermitage on April 14-16, 2021, the photo exhibition «Here I live» opens. A separate part of the exhibition will be devoted to the works of Russian documentary photographers. Among this variety of talented projects, you can also see the photo series of the winners of the All-Russian multimedia contest «I live in Russia».
Every year the number of people discovering their photography talent increases. The main topic of photo projects in many cases becomes our country: the beauty of its vast landscapes, the uniqueness of the people living in it, the charms and problems of life in the far corners of Russia, which sometimes you do not notice. Six photographers-finalists of the All-Russian competition «I live in Russia» (on the website of which every year the best works of our compatriots are published in the sections «Text», «Photo» and «Video») shared the stories of their work and gave some pieces of useful advice to novice amateur photographers.
TATYANA BORMATOVA
Tatyana had no doubts when she devoted her photo project to social shelter for homeless people with disabilities in Sevastopol. The goal of her work was not only to highlight one of the most serious problems in the country — the main task of Tatiana was to tell the stories of people who found themselves in this place, to find out what life circumstances led them to the street. All the heroes of the photo project definitely have something in common — tragic fates, which not every one of them was ready to share.
To contact Tatyana
How did the characters react to the fact that you decided to tell the world their difficult stories?
Homeless people often face violence and deception on the street, they do not trust people and do not make contact well. I was shooting in the Teremok for 3 months. At the first time the homeless people were wary of me and reluctantly told me about themselves, but over some time they began to open up. Some people categorically refused to be filmed, and I respect their opinion.
Did something change in the lives of these people after the publication of your photos?
I hope that after the publication more people began to help the homeless. Teremok always requires financial assistance to pay fees for registration of documents, medical care for the disabled and other needs. Also, the foundation always accepts natural assistance for the Teremok in the form of food and personal hygiene products.
~
MIKHAIL LEBEDEV
The center of Mikhail Lebedev's photo project was the Kola Peninsula — "a region with a very harsh climate", which is the most densely populated territory in the world beyond the Arctic circle. At the time of the Soviet Union, people came there in search of new opportunities and a better life, but now the cities of the peninsula are fading. People are leaving their homes, fleeing to St. Petersburg and Moscow. Mikhail captured numerous snowy landscapes, the atmosphere of which does not leave anyone indifferent and makes you wondering at the natural beauty of such a distant, so amazing corner of our country.
To contact Mikhail
— Why did you decide to make a photo project on this topic?
I have always been interested in the territory of the Kola Peninsula — a region with a very harsh climate, but at the same time the most densely populated area of the world beyond the Arctic circle. It can be called Soviet America, where people from all over the Union moved in search of new opportunities. I drove 2000 kilometers on the peninsula, shooting urban landscapes and people I met along the way. Now it is a withering territory: cities are becoming empty, the resources they came here for are being depleted, people do not see prospects for their children and send them to study and live in St. Petersburg and Moscow. Poorly developed regions are a global problem for Russia. I want the audience to see these photos not on smartphone screens, but printed out in a large format, so that they can see the small details of the landscapes and get a better look at people's faces.
— Do you have your own life hacks that you could share with the beginners?
The main life hack is not to be afraid to communicate with strangers, to ask them to make portraits. The faces of the Russian people are full of concentration and sullenness, but this is deceptive. If you talk to these people, then in most cases they will be happy to let you take pictures and communicate to them. Of course, you will need to pass a small test for involvement in foreign intelligence, the police and other oppressors of citizens. But suspicion is part of our mentality, and this question is easily solved by honest answers and humor.

Also, shoot stories about Russia — this is the best country for a documentarian: there is a huge number of problems, beauty and unique people.
~
MARINA BALAKINA
For two years Marina has been shooting a photo project called «Air Ambulance service», which is dedicated to the work of the Air Ambulance service in the north of the European part of Russia. And she does not plan to stop yet. The story of the courage of doctors forced to save lives in the air, the story of the hopes of the residents of Arkhangelsk, cut off from the Mainland by water and off-road conditions, are amazing: every day doctors fly out to meet the challenges of those for whom they are the only hope for salvation. Marina recalls with a smile her own fear of «calling and agreeing with doctors about shooting», because, as practice has shown, no employee of the Sanaviatsiya refused to devote the photographer to the details of his difficult profession.
To contact Marina
— What professional experience as a photographer have you gained while working on this photo project?
«Air Ambulance service» is my first project. I've been working on it for two years and I plan to continue shooting it. I started shooting the project as part of the expedition of the School of Modern Photography Dokdokdok to Arkhangelsk. Communication to the people and resisting my fear are the main things I learned while working on this project. I, as a person who was just studying photography, was afraid to call the chief doctor, and then the Ministry of Health of the Arkhangelsk region. At that time I had no experience as a professional photographer, no publications, no website. There were a lot of doubts. I could not answer the question: "Why would the Ministry of Health of the Arkhangelsk Region allow a beginning photographer to shoot a sanaviation?" But there was strong support from the school, the curator, and the people around. And also a great desire to work and hope that i will be able to shoot helped me to go through such tough time.

The openness of people, kindness, hospitality – this is something that is remembered for years. Even small things are remembered: a plate of soup, a cup of tea that you were given, the way doctors and nurses help each other to transfer the patient to the ambulance. This creates a sense of mutual support and respect.
The most bright moment you remember during the shooting.
There was a situation when the sanaviation team flew to the district hospital for a newborn child. He was lying in the box, and his mother was standing next to him in a light cotton robe, vulnerable and defenseless. She watched when the child was being prepared for transportation, and I couldn't help. The doctor told her: «The condition is serious, we will do everything possible to help him».

She had no tears, but it was clear that she was broken. I thought about how strong this woman must be to survive the fear, the anxiety for the child, the expectation,the unknown. This happened at the very beginning of my work. I remembered when I was a child, I had undergone a complex operation myself, which means that my mother felt the same way. It was then that it became clear to me that I was not in this shooting by chance and I want to see the finished project.
~
ANTON UNITSYN
There is no secret that our country is richly endowed with small cities, known throughout the USSR. Many of them have lost their former popularity today. Anton Unitsyn dedicated the photo series to one of these places — Solvychegodsk, which used to be famous for the wealth and well-being of its residents, who officially made it the center of salt mining in Russia. But now, when the value of salt and medicinal mud had fallen, the great past of Solvychegodsk became the real past, and it turned into an inconspicuous point on the map of our country. However, the residents of the city do not even think about moving — they love it with all their heart and respect the local traditions.
To contact Anton
What places in Russia, in which you had a chance to shoot, made the greatest impression on you and why?
This is a very difficult question, because all the stories are different, and at the same time valuable. It is impossible to compare them with each other. For me, as a documentary photographer, history and personality still dominate the place as a certain scene, texture. It doesn't matter where, it matters who. And amazing people, inimitable stories, are everywhere, moreover, they happen very close, and sometimes with us. You just need to look closely — the beautiful is closer than it seems.
— A photo project that you want to turn to reality?
Project about happiness. Because that's the most important thing, and if there's anything worth creating about, it's what's important.
~
VIL RAVILOV
Vil was born in Prokopyevsk, but it took a long time before he returned there again in order to show this amazing city to the world. Prokopyevsk was once one of the main coking coal mining centers in Kuzbass and Russia, but its glory is left in the past, and now people are forced to move in search of a better place to live. Vil believes that «the power of documentary photography is in the truth» and that it is important to show both the good and the bad sides. And then the photo will be able to get a response in society, to give a significant result.
To contact Vil
What did you want to convey to the audience with this work, what did you want to make them think about?
Perhaps the answer will sound pathetic, but I would like us to look around, perhaps understand that we live in a good place and at a good time. We create our own environment. Life is in the moment, it is now, it is in the details. Of course, sometimes you can see social problems on my photos. Let this be a reminder to us that these problems need to be solved, not postponed.
Where do you get your inspiration for new work?
It is difficult to answer this question, because I do not do art. I just use specific techniques from it. The main motivator is to get the knowledge of the world around me. To do this, you need to turn on the music, go outside alone and walk for several hours in familiar or unfamiliar places with a camera at the ready. I just got interested in photography. If I could write or draw, I would probably start writing stories or paintings.
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DINA KARAMCHAKOVA
Since childhood Dina loved to draw, but an artist career did not work out, and so she discovered the talent of photography. Showing people the world through the prism of their own perception is an undoubted creativity that can turn the passion for photography from a small hobby into the meaning of life. Her photo project «One day in the life of the village» allows viewers to experience the special atmosphere of such a distant and unattainable aal. For us, urban residents, it is impossible to live there because of the humming rhythm of the 21st century.
To contact Dina
What do you think is the social mission of the photographer?
I think that every photographer is a chronicler of his time. Save the moments, stop the time it's like painting a picture. And, working in the newspaper, I carry an informative function, I carry news to people from the places of events.
— What inspires you to create new projects?
For me, every trip is a discovery, a small adventure, an opportunity to show the life and beauty of our republic through my point of view. Such moments are not found in the urban environment, because here live completely different people: they are close to nature and live in a harmony with it.
~
EGOR KIRILLOV
Quite frequent phenomena in the work of photographers are the photo projects dedicated to their small homelands — the places where their life began, and, often, their professional activities as photo artists. Egor Kirillov is no exception: he is convinced that it is important to shoot «a city with which you have a connection». It is a connection that makes the atmosphere of such projects special, imbued with emotions and extraordinary love of a person who was born and raised in this place. While working on «Melting Cities», Egor filmed his friends and good acquaintances, told the stories of their lives and plans for the future, showed how the largest city beyond the Arctic Circle is slowly fading away.
To contact Egor
What motivated you to dedicate your work to your small homeland?
Young people from the regions are leaving, everything is concentrated in Moscow and St. Petersburg. Since I made this journey myself (I moved from Murmansk to St. Petersburg), it is important for me to talk about my city, with which I have a connection. Such a project can be filmed in any regional city — my small homeland as an example. The Russian reality is that the territory is large, and we, unfortunately, do not know how to work with such a scale.
— What pieces of advice could you give to beginning photographers?
What I can advise myself and others: read more, watch more, study more. Be interested in everything in this world. This will definitely give a result.